Night School NO.49 |Double Diplogue in Experimental Theatre : The Shape of the Skin & Yesterday, today, tomorrow



“NIGHT SCHOOL NY INSIGHT” Vol. 49

Double Dialogue in Experimental Theatre:

The Shape of the Skin & Yesterday, Today, Tomorrow

Lecture: Li zhiyang,Wei Mingyi,Gan Zhipeng

Host:Jody Huang

Dec 14th, 2024 (Thu)



The Shape of the Skin|Experimental Theater 2024, Li Zhiyang & Wei Mingyi, Art Cube


Yesterday, Today, Tomorrow|Experimental Theater 2024, Dai Zhouke & Gan Zhipeng & Yang Xi, Hongyin Art Center



Wei Mingyi

The works are based on performance, video, and live art, and are created based on identity, exploring family intergenerational trauma through personal experience, and attempting to find a way out of the structural imbalance between the collective and the individual, and the lack of identity discourse and relationship. At the same time, she intervenes and pays attention to women’s issues and the existence of marginalized groups in the society in her personal way.

「Panties on the Road」 performance video 4’56‘’, hammer, industrial nail, menstrual blood panties, 2023, Chengdu


A Cry from Under the Boxing Rack」 Performance site , Thai native woman, mirror, whistle, hanger, clothes, 2024, Thailand


「The Lift」 Performance Video 5’16” 2024, Chengdu




Li Zhiyang

The work focuses on fictional scenes in daily life, searching for the frequency of agitation in the symbiotic network of living and non-living things, trying to amplify its own perception to connect with the “living” existence of the world. “Real Time” triggers the reality of experience in the space, structuring the whole, the group as the origin and then the disappearance of the individual back to the biological genealogy of all things. Through performance video, easel painting, installation, experimental theater and other visual methods, we continue to explore the eternal gaze in the extension of time.

“When do ants take off”, experimental image 5’55‘’ 2024


“Gradually Stirring Waves”, ants, acrylic, light blue gel (ants available), surveillance camera, projector, sound , dimensions variable 2024


“Liquid Panorama” sculpture, photography, silicone, color powder 5m*1.2m (variable) 2024




Gan Zhipeng

Born in September 1996 in Pingliang, Gansu Province, he graduated from the Sichuan Fine Arts Institute in June 2023 with a master’s degree and now lives and works in Chengdu, Sichuan Province. His works involve painting, performance, theater, performance, video and other creative methods. His works focus on the contradictory relationship between the inner world and reality, the situation and survival state of individual spirit in the plight of reality, as well as the powerlessness, absurdity and drama in the context of the individual and reality, trying to complete a kind of “uncertain value” extension in this “ marginal gap” extension.

March in Time and Space, Performance Image, 3’42”, Chongqing, 2024


Starfire, behavioral video, 5’54”, Chongqing, 2023


Balance, Behavioral Imaging, 5’27”, Chongqing, 2022







More Posts

《Night School & NY20》NO. 48 | East Asian Body Circle – Observations and Creative Sharing on the 2024 Macau International Live Arts Festival Nov 14th,2024 Thu

行为艺术作为当代艺术创作的基本主题,越来越多的艺术家开始对其感兴趣,尝试用这种媒介去创作,然而,世界范围内,开展行为艺术教学的艺术学校极少,中国则很少。并且此类书籍也极少,人们多是通过阅读零散的信息进行学习实践,为了建立兼具专业性和开放性的行为艺术教学与学交流平台,UP-ON行为艺术档案馆发起了《夜校》项目。 在这里,艺术面前大家都是同学,教学不是单向的知识输送和传授,而应是教与学之间的平等交流,互学共勉。《夜校》以“对谈”、“工作坊”、“分享会”、“特别项目”等多样化的活动方式,力求构建出一个充满生命力的,具有专业追求的学习共同体。 2024澳门国际现场艺术节以“东亚身体圈”为主题,汇聚了来自东亚各国和地区的艺术家,通过多样的表演和互动,展现了艺术家们对于社会、文化、情感的深刻理解与表达。作为行为艺术的实践者和观察者,艺术家邓上东和李艾筱参与了本次澳门国际现场艺术节的创作。两位艺术家将为大家介绍澳门国际现场艺术节的概况, 并分享各自参加艺术节的现场创作,以及对艺术节的观察。 李艾筱 Li Aixiao 李艾筱生活和工作在成都,基于新闻学与应用心理学的教育背景,她通过摄影、行为、文字等方式进行持续创作。更多详见:http://www.liaixiao.com 《李艾筱与她的100张照片》,2019李艾筱把2013-2019年摄影项目《私人物品》里的100个被拍者邀请回来,请他们将李艾筱给他们每人拍摄的照片贴在她的身体上,以此回应“你最重要的私人物品是什么”这个项目的核心问题,这也成为该摄影项目的完结之作。 《假如西西弗斯在2022》,20222022年一开始,李艾筱就从起居生活的环境中收集她自然脱落的头发。直到12月31日,共收集31.348克、约70130根头发。与此同时她收集这一年来人们关注度极高的全球社会事件。在现场,李艾筱请观众戴上眼罩去聆听这一年来发生的事件,同时她将收集的头发制作成一个毛球。当观众摘下眼罩时,她将毛球放置在透明亚力克防尘盒中展示。 《江之鱼》,2023在长江河床中心因干涸而成的死水塘边,李艾筱像鱼一样,用尽全力翻滚回长江,耗时53分钟,1公里多。以此行为对长江干涸的生态问题保持密切关注,也是对当下自我境遇的思考。 邓上东 Deng Shangdong 邓上东,废墟现场艺术节发起人,薪火行为艺术节策划人。作品关注个人的情感经历,现实的处境与个人经验结合的作品。主要创作方式为行为艺术,影像,摄影,插画,雕塑,装置。关注年轻人亚文化的生活状态,其作品呈现了当下年轻人真实的身体观。现工作生活于成都。 《猪体测量学Pig ’s Surveying》,2019 ,行为艺术,45min 材料:猪、黑布、音响、碗、苹果、衣服创作过程:和一只猪搏斗。 《涅槃 Nirvana》,2014,行为艺术,45min 材料:面粉、竹签、蜡油、油碗创作过程:竹签插头,与火互动,火在身体上燃烧。 《肌肤 Skin》,2021,录像 35min 创作过程:持续两年拍摄记录亚文化青年。 《 尘埃 Dust》,2022,行为艺术,碳粉,31min 创作过程:念疫情死者名字,吐黑色碳粉。  《 溃烂 Ulceration》,